42°Raw

42°Raw

42°Raw is a contemporary interpretation of plant-based eating. Our philosophy is that food must be served in its most natural state. Untouched by refined sugar, dairy products and preservatives. Check (…)

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Bear

Bear

B&B studio created together with the client BEAR, a true challenger brand that has come to define the natural snacking category and captured the hearts of kids across the nation. (…)

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Karl Schmidt-Rottluff  im Bucerius Kunst Forum

Karl Schmidt-Rottluff
im Bucerius Kunst Forum

Die Ausstellung Karl Schmidt-Rottluff: expressiv, magisch, fremd untersucht erstmals die Faszination des berühmten „Brücke“-Künstlers für außereuropäische Kunst und Kultgegenstände und seine lebenslange Rezeption der für ihn magischen Kraft dieser Objekte. (…)

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Winkel van Sinke

Winkel van Sinke

Winkel van Sinkel holt für Dich den Amsterdamer Lifestyle nach Hamburg. Ein grüner und wilder Urban Jungle aus Sukkulenten, Kakteen, Airplants, Kokedamas und Terrarien wartet darauf, von Dir entdeckt zu (…)

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Rebecca Sampson

Rebecca Sampson

Apples for Sale beleuchtet das Leben indonesischer Hausmädchen, die in Hongkong als Migranten zweiter Klasse unter prekären Umständen in einer weiblichen Parallelgesellschaft leben. Der Fokus der Auseinandersetzung liegt auf dem (…)

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Dashawn Jordan

Dashawn Jordan is one of those guys who just lights up the room. Never short on energy, he gets everyone hyped just by being there. It doesn’t hurt that he (…)

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Danny Gretscher

Danny Gretscher

Standing in front of a Gretscher is to be enchanted. It comes replete with its own vocabulary, a constellation of symbols, characters and seeming allegories that describe a wholly original (…)

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Phil Frost

Phil Frost

New York artist Phil Frost creates work that combines the raw, gritty edge of the street with an elegant, painterly aesthetic. Frost first became known in the early 1990s for (…)

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Bar Luce by Wes Anderson

Bar Luce by Wes Anderson

Designed by film director Wes Anderson, Bar Luce recreates the atmosphere of a typical Milanese cafè. Although his movies often favor symmetrical tableaux, Anderson feels that ‘there is no ideal (…)

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